Arts Review, London, April 14, 1978, Amalgam Review by Guy Burn

Panorama Magazine, Milan, Italy, May 30, 1978, Donald Locke Galleria Lorenzelli, by Luigi Carluccio

Artspace Magazine, Spring 1980, Donald Locke by Clarabel Cone

Arizona Republic June 26, 1983, Hardball Sculpture’s Intellectual Demand Teams Up with Esthetic Drive by E.J. Montini

Phoenix Exposure, April 1983, Building Your Portfolio, by Ken Storch

Arizona Living, July 1985, Artistic Visions by Mark Alan Barrack

Artspace Magazine, Summer 1986, Phoenix Letter by Joseph Young and Barbara Cortright

The Signal, 1987 (cover shot and review) Donald Locke, Continuing the Dialogue by David Chorlton

Arizona Republic January 8, 1988, Sculpture Extends His Influence Through Pen and Classroom by Susi Lerma

Smithsonian Institution’s American Visions, October 1989 The Multifaceted Donald Locke by Vicki Hay

Evening Standard, January 4, 1990, Black Pride and Prejudice, by Brian Sewell

Phoenix Magazine, January 1990, The Color of Money by Lori K. Baker

Art Monthly, February 1990, The Other Story, by Petrine Archer-Straw

Third Text Magazine, 1990, The Other Story Afro-Asian Artists in Post-War Britain by Corinna Lotz

Black Enterprise, advertisement June 1992 Absolute Locke, Heritage Series

The Dictionary of Art, #13, edited by Jane Turner, MacMillan Publishers, 1996

Oxford Dictionary of 20th Century Art by Ian Chilvers, 1998

.Studio Pottery Twentieth Century British Ceramics in the Victoria and Albert Museum Collection edited by Oliver Watson, 1999

British Studio Ceramics, 2002, by Paul Rice

Atlanta Journal and Constitution, July 19, 2002, Getting to Know Joe Potaro by Catherine Fox

Art Papers Magazine, November-December 2002, Atlanta Review by Richard Gess

The 9th Annual Masters Series, Donald Locke: The Road to El Dorado – Twelve Years in Atlanta, exhibition catalogue. Essay: Donald Locke: The Journey of Joe Potaro by Carl E Hazlewood, February 2003

Atlanta Journal Constitution, February 21, 2003, The Power of Locke by Catherine Fox

Sculpture Magazine, April 2003 Donald Locke, Solomon Projects, by Amre Klimchak

Talking Furniture Design: The Language of Contemporary Southeastern Artisans, exhibition catalogue, March 2004

Bending the Grid: Modernity, Identity and the Vernacular in the work of Donald Locke, exhibition catalogue. Essay by Curator, Carl E Hazlewood, April 2004

New Jersey, Star- Ledger, Sunday, April 25, 2004, Guyanese Casts off Colonial Shadow, by Dan Bischoff

The New York Times, New Jersey Section, Sunday, May 30, 2004, Picasso, Guyanese Jungles And A Robust Hybrid Art, by Benjamin Genocchio

The New York Times, Weekend Fine Arts Section, Friday, June 25, 2004, “Bending the Grid: Modernity, Identity and the Vernacular in the Work of Donald Locke, by Holland Cotter

ArtNet.Com Magazine Review, June 6, 1004, African Mirror by Miriam Brumer

Atlanta Journal and Constitution, September 26, 2004, The Creative Process Demystified by Catherine Fox

Back to Black, Art, Cinema and the Racial Imaginary, exhibition catalogue, June 2005, published by the Whitechapel Art Gallery and the New Art Gallery Walsall, with essays by Richard J Powell, David A Bailey, Petrine Archer-Straw

Art Review Magazine, London, June 2005, Back to Black Supplement, essay by Richard J Powell